Neighbors 2: Sorority Rising, is of course the sequel to Neighbors, with a sorority instead of a fraternity. As the classification advisories/presence of Seth Rogen make clear, there is the crude comedy, however this is a rare case of a sequel improving on the original film, not just echoing the story. The added complexity comes from addressing some of the sexism around greater restrictions on partying at sororities, the rapey nature of frat parties, and broader issues of consent. These ladies want to party on their own terms. There’s a fun montage of parties, including a historical feminist party (featuring several different versions of Hillary Clinton), and a party to celebrate the loss of a character’s virginity (where the presumed male is never seen). It might be a stretch to call this a feminist film, but it has been praised for its approach to gender issues.
The arc of reinforcing conservative attitudes remains even as the film embraces newer values. For example, a same sex relationship for a former frat brother is treated as a source of sentiment, not humour, but the men have a traditional proposal and wedding. The realism of a character’s inability to work, due to his criminal record, is happily overcome by entrepreneurship. The core of the plot is a growing family’s desire to move to the suburbs. However, as crude comedies go, Neighbors 2 is relatively liberal and enlightened. Just as the original was also released as Bad Neighbours, this has been released as Bad Neighbours 2 in some areas. The trailer gives a poor sense of the film, and several of the gags shown are not in the film.
Across Canada, the classification agencies were consistent in their ratings and advisories. Quebec wasn’t particularly worried about the drug use or sexual content. BC was busy counting the swearing: “approximately 170 instances of coarse and/or sexual language” in a 92 minute film. Other countries were slightly more restrictive, with the Americans giving an R rating, and several agencies not permitting any viewing by younger teens. That’s unfortunate, because they’d love the crude humour, and need to hear the messages about acceptance, independence, and consent.